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He spent his early years in his native Poland, but lived in France for most of his life, being granted French citizenship in 1938.
His Polish identity influenced several orchestral and chamber works, such as Rapsodie polonaise and Quatre Danses polonaises, and some guitar works, such as Hommage à Lech Walesa and Hommage à Chopin.
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His music is often said to be primarily neoclassical, drawing on his Polish Jewish heritage as well as his French musical influences.
Tansman was born and raised in the Polish city of Łódź during the era when Poland did not exist as an independent state, being part of Tsarist Russia.
For the 1946 Academy Awards ceremony, he was nominated for an Oscar for Best Music, Scoring of a Dramatic or Comedy Picture, for Paris Underground.
From 1932–33, Tansman performed worldwide for audiences including Emperor Hirohito of Japan and Mahatma Gandhi; he was regarded as one of the greatest Polish musicians.The composer wrote the following about his childhood and heritage in a 1980 letter to an American researcher: "...my father's family came from Pinsk and I knew of a famous rabbi related to him.Already on the edge of musical thought when he left Poland (critics questioned his chromatic and sometimes polytonal writing), he adopted the extended harmonies of Ravel in his work and later was compared to Alexander Scriabin in his departure from conventional tonality.One of Tansman's letters states that "it is obvious that I owe much to France, but anyone who has ever heard my compositions cannot have doubt that I have been, am and forever will be a Polish composer." For these pieces, which ranged from lighthearted miniatures to virtuoso showpieces, Tansman drew on traditional Polish folk themes and adapted them to his distinctive neoclassical style.